NPR Staff

Just two months into 2015, cinematographer Bradford Young is already having a big year.

Two acclaimed movies, Selma and A Most Violent Year, bear his name as Director of Photography.

"It's an interesting time," he laughs.

He sat down for a chat with NPR's Arun Rath, who started by asking about the striking depictions of violence in Selma.

"You have to be very delicate," Young says, "because as much as film has the ability to raise humanity, it also has the ability to put us down."

Julissa Arce was born in Mexico, and came to the United States on a tourist visa when she was 11. It expired a few years later — but Arce didn't leave. Instead, she excelled in high school and college, then secured a job at Goldman Sachs. Her ascent was dramatic: she rose quickly from analyst to associate to vice president.

But Arce was scared to go to work every day, worried that her undocumented status would be uncovered and she'd be escorted out.

If you want an accurate picture of ethnic and gender diversity in the United States, don't look to Hollywood.

That's the conclusion of the "2015 Hollywood Diversity Report" conducted by the Ralph J. Bunche Center for African American Studies at UCLA.

A warning to listeners: This conversation may contain some disturbing content.

Andrea Pino was the first person in her family to go to college. When she found out that she had been admitted to the University of North Carolina she was thrilled. "Not only was I going to college — I was going to my dream school," she says. "... I was definitely one of those students that, you know, cried and threw their laptop on the floor and couldn't believe that I was going."

Noah McQueen is part of "My Brother's Keeper," a White House program aimed at young men of color.

His teen years have been rough, and include several arrests and a short period of incarceration. But last week, he was at the White House. The 18-year-old sat down for a StoryCorps interview with President Obama, who wanted to know more about Noah's life.

They hired a car and drove for 10 hours over the most rutted dirt roads you can imagine, dodging motorbikes, pedestrians and overloaded cars all the way.

It was December. NPR producers John Poole and Sami Yenigun had come to see what happens to a village after Ebola has struck.

Barkedu, in Liberia, is a beautiful place, green and forested. Tall hills start to rise near its border with Guinea. Cows and chickens roam around the village, which is built along the Lofa River. A small stream runs through Barkedu, where people bath and wash their clothes.

Writer Elisa Albert believes that the so-called "Mommy Wars" have gone on long enough — they are both a distraction and a cop-out, she says. "It's a way of avoiding the actual issues, which is: Women don't have enough support for any of the choices that we make," Albert tells NPR's Kelly McEvers. "We are pitted against each other and ultimately, then, are pitted against ourselves. And everybody is unhappy, and everybody feels judged. It doesn't have to be this way."

Fasten your seat belts, true believers. If you haven't flipped through a comic book in a while, you might be in for quite a surprise come May. The entire Marvel multiverse is collapsing.

Forget about seeing the Wolverine we knew any time soon. And the current Ghost Rider? Before long, his current story line will be gone like, well, a ghost. In the new Marvel universe, coming in May, characters and continuities will be reimagined.

This week, the photo editing software Adobe Photoshop turned 25 years old. The program is an industry juggernaut — so famous that the word "Photoshop" has come to be synonymous with image manipulation.

But when the software started, says co-creator Thomas Knoll, it was a personal project. He and his brother John started working on the program in the late 1980s.

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